We record music. I focus on tape recorders, such as reel to reel machines like the teac 40-4, and four track cassette recorders like the tascam 414 MkII. Microphone preamps, tube mic pres, Ribbon mics, Cassette tapes, Guitars and Vintage guitar amps, great sounding mics- these are things that I feel deserve attention in the world of digital audio and DAWs. Not obsolete, these recorders are more viable now than ever, and should be used! Vintage gear rules!
In the spirit of DIY, here's some music to help keep busy on a rainy day! This EP represents many hours of hard work, and I hope you'll take a few minutes to listen and enjoy!
Click to listen!:
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Thanks to everyone in the Youtube and Blogger communities who have been purchasing this Album! It is my pleasure to bring you tips and videos from the world or recording sound and I'm truly grateful to be able to share music with you. Thanks to all who have purchased my music and helped support musicians and artists like myself!
How to record your DIY album for cheap...Making the Most with What You Have, a mindset to success.
Great music rarely needs more than a powerful performance to make itself memorable in our minds. Patsy Cline, Elvis, The Beatles: they all used gear that was "technically inferior" to what is available to us today. Many hits of that era recorded on two, three or four track recorders. Often in one performance! Not to mention the blues kings who came before them, who recorded to direct to wax or acetate.
So, while we have the luxury of extreme hifi all around us, we still must ask, what makes some music special and some less so.
Below, is a link to my new album, which was made with the above mantra: Make the most of what you have. (By the way, if you put me on a spotify playlist, it's good karma! And it helps me continue to make music!)
Follow me on Spotify!
In my opinion, it is always the performance that cuts through. And this is why some artists can achieve success with less that perfect recordings. Historically, artists have rarely had the luxury of refining a recorded take to perfection. The performance was an artist's chance to be sure that the masses would hear what was in his or her heart. In a similar vein, there's also no such thing "Perfect" recording space. But there are places that can be perfect for you to record your music. Likely those places are nearby you. Maybe it's your bedroom, or garage? If you have a budget, perhaps a studio.
Also, what tools do you need? Start by taking stock of what tools you have. Totally acceptable results can be had for very little money... You could make an album on your smartphone! Or, a boombox, VHS recorder, flash camera recorder; each day the tools available to the general public become more and more powerful. You CAN record an album for cheap! But...don't "cheap out" on your performance!
And that brings us to the 1990's, when this gem of a four track tape recorder was refined.
This machine is able to make four track recordings (8 or more, if you get good at ping-ponging tracks) for demos and some commercial releases. (Do a little research here, many of todays successful artists started with a 4 track cassette tape recorder, or less!)
If you have a 4 track tape cassette recorder and a standard stereo
cassette recorder, you could make an all "analog" release! Or, record the four tracks to your computer(or iPad!) and do a digital release!
The key is to know your material and spend some time making recordings in whatever space is available to you. Keep listening back to the results and think about which recordings sound better, and why? Before long, you'll have the confidence to record your music in a way that's pleasing to you!
Here's a little taste of four track quality. Drums on tracks 1 and 2, Rhythm guitar, track 3, Solo on track 4. That's it!
If you came from my youtube page, the above link is the mastered version(mixed down directly to an Otari MX5050 BII Tape recorder...
So don't get caught up in what you don't have, make the most of what
you DO have! And no matter what, focus on the performance, since
that's what we're all listening for anyway.
Using an Lpad is a long practiced technique for reducing tube guitar amp volume. Making one is also quite easy, if you have the correct parts.
In this case, I'm using a Realistic (Radioshack brand) Stereo Lpad which is rated for 75 watts. I've used this Lpad on many amps, and I can say it will safely soak up to at least 30 Watts of power per channel RMS. I would not use it for amps much more powerful than that. Remember, do your own tests first before blasting any amp into an attenuator. Some amps are more fragile than others, and cannot handle being run at full tilt for long- if at all! So, use attenuators at your own risk!
Wiring the Lpad is simple. It's like wiring any speaker. There's a positive and negative for each channel. You simply wire the Lpad between the amp and the speaker. If you're mounting it in a box, I like to also ground the common wire (-)to the case.
The above video shows the Lpad in action. The amp is a Bogen 14 watt all tube amp.
Here are a few pics showing how to wire the Lpad...
There you have it! An Lpad that you can use with a modest sized amp- tube or otherwise!